Just like writing a novel requires a different kind of skill from writing a short story, directing a feature film needs a certain skill and most often, we don’t get the chance to explore shorter format ideas. Saket Chaudhary: As film-makers who work within the mainstream, one doesn’t get that many opportunities to try out ideas. It’s a very personal story, starring Rinku Rajguru and Delzad Hiwale. It was then that I gave her the script because I really wanted to make this film. I lucked out when Ashi Dua (producer) walked into my office and offered me to be a part of this anthology of love stories. When it comes to Ankahi Kahaniya, I had a story (based on a story named Madhyantara) and I was looking for an opportunity to make it.
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It’s also very liberating for film-makers to be free of the two-hour format and explore storytelling in other ways.
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Earlier, we didn’t know how to monetise the short film format and these are now getting a platform like Netflix. It’s like picking up a book of short stories. Now, thanks to Netflix and OTT, we are getting an opportunity to go back and watch those kinds of stories again. We kind of missed that when satellite television came in. During our growing up years, Doordarshan had shows like Darpan and Katha Sagar, which aired one episode a week and the best actors and the best directors of that era were part of these shows. What made you want to make this and what do you think of the anthology format as a whole?Ībhishek Chaubey: I think anthologies should be around.
To be honest, the moment I heard about Ankahi Kahaniya, I went ‘Oh no, another anthology?!’ But then I watched the trailer and found it to be very promising.
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